Australian small-town cop Gary enjoys his nearly pastoral existence, with traffic violations providing the major excitement to his normally low-key days. While away from work, Gary spends a good deal of time fantasizing about local news reporter Julia, who would just as soon relocate to the thriving metropolis of Sydney. Soon, however, a motorcyclist is found decapitated, with a construction worker, a sailor, and a cowboy and Indian also meeting the same fate. With some murderous weirdo with some sort of Village People fixation terrorizing the town, Gary -- with the help of big-wig city detective and Don Johnson-wannabe Tony Charles -- begins to realize that a cop is the last remaining victim to be murdered in order for the killings to be complete. ...

Explores the worldwide cultural presence of the Bogeyman and how that translates into the character of Michael Myers in the Halloween franchise in the United States. Screened before the 2012 theatrical re-release of John Carpenter's Halloween.

The story of Seo Hu, a member of the Road View filming team who went through a painful breakup, and Eun Ha, who searches for her father who was caught on Road View, stumbles her way through the path of separation and entering the alley of love.

Goo Jae-hee lives in the United States and one day sees a track and field competition on TV, and becomes attracted to one of the high jump competitors, Kang Tae-joon. She begins to idolize the young athlete and eventually transfers to Korea to attend the same school that Tae-joon attends after he suffers an accident that could potentially end his career. There is a catch, however: Tae-joon attends an all-boys high school and Jae-hee must disguise herself as a boy to enter.

In 1992, Phet, a young singer in a pub, dreams of being famous with his supportive girlfriend Preapim. But Pim's father didn't like Phet, so he planned Pim's engagement with Pisanu. Pim and Phet then fled to live together in Hua Hin. One day, both of them went to visit the temple fair where they argue and get separated. Phet meets a fortuneteller who takes him 20 years into the future. There, he sees the much older Pim with her daughter and husband Phitsanu. Going to his old house, Phet learns that he died on the night of the temple fair with Pim. He then decides to stay in the future to investigate the cause of his own death, in order to go back and fix the past events and not let himself die.

Barack Obama launched into our national consciousness at the 2004 Democratic National Convention and ever since, he's delivered messages of patriotism, unity, and hope through the power of words. But of all the speeches he's given, six in particular may define his legacy as, in historian Doris Kearns Goodwin's words, "one of the best writers and orators in the presidency." Interviews with eminent historians and key figures in his writing process give rare insights into these iconic speeches, as well as the Obama presidency and the man himself.

In this dark comedy about empathy and unspoken vanity, a woman is forced to face the lack of her attraction to her husband when he returns from war without lips.

Set in the Bronx, in the era of 1950s McCarthyism, everybody wants to look the same. Michael a gay, twenty-something-year old mouse, hides his true identity while he works as a tailor. When Isaac enters the shop one day he offers the escapism and love Michael craves. In Michael’s confined apartment, he becomes tormented by the memories of Isaac’s tragic death. Michael’s memories and flashbacks are triggered when he notices Isaac’s jacket draped on the back of a chair. Haunted by the solace Isaac once offered, he struggles to come to terms with his loss.

Sam Ashley, a graduate of 1965 class of Bret Harte High School, who was now a teacher at the school, served as the narrator describing what had happened to his fellow graduates in the decade since they had graduated.

They thought she had the perfect life; wealthy and privileged, an honor student with her whole life mapped out. What they didnt know was what lied inside of her; pain and anguish; tearing at her until there was nothing left. Lost and alone, the young woman (Heather Dorff), finds solace in the form of a glistening blade, splitting her skin deeply. Her self-indulgent mother and obnoxious sister (Kelsey Zukowski), are completely oblivious to her inner-turmoil. She has long since become numb to the world around her, getting that sensual release, as the razor cuts deeper, watching the blood drip, is all that matters. As soon as the last drop falls, the calm is stripped away from her with it. How far will she go to silence the hunger that now consumes her? Will she be able to regain control of her life, body, and sanity?